Music press kits
Quantcast

Sunday, August 29, 2010

9.1.2010 x FatBeats x Turbo x 445 pm x Free



Thanks to the very cool Randy and House Shoes over at the LEGENDARY Fat Beats in Los Angeles, I have the great opportunity to perform at this venue before it closes FOREVER next month.  I need all of my TRUE hip hop lovers in CA to come out and show some SUPPORT.  I mean, it's free for crying out loud and this place, as you should already know, is LEGENDARY!
I'll have some physical tickets up there too for the Jay Electronica show 8 days later.  Let's Go!

UPDATE: Video Flyer


Tuesday, August 24, 2010

(the formatting of this post is messed up for some reason =/)
Current # of Tickets Left to Sell: 
0

Online Ticket Supporters:
(Thank You Very Much!!)

JAYN - WASHINGTON
ROBERT - PENNSYLVANIA
GEORGE - PENNSYLVANIA
ADENA - SOUTH CAROLINA
ROHIT - OHIO
DAVID - IDAHO


DZ - CALIFORNIA
CHIRO - CALIFORNIA
MARCO - CALIFORNIA
ElectroRock v5 Donations:
















(Thank You Very Much!!)


















ZAK - WASHINGTON


CHRISTOPHER - GEORGIA
GEORGE - PENNSYLVANIA
DAVID - IDAHO









*I want to specifically track and give props to those who are purchasing their tickets online regardless of the fact if they are going to be in attendance or not.  I have much respect for you indeed.  Thank you.
This post will be updated daily.

In the meantime, I will continue to physically go around Los Angeles and give people my music for free in an attempt to receive more ticket sales.  It is IMPERATIVE that I sell these tickets....

The amount of tickets left to sell may decrease due to those who not only say that they will purchase their ticket in person, but who ACTUALLY purchase.  


Talk is cheap! men lie, women lie, numbers don't lie.

Monday, August 23, 2010

Jay Electronica x Turbo. 9.9.2010.

hello all


i will be performing on Thursday, September 9th, 2010.

I need to sell 50 tickets.  So far I have sold 2.

Tickets are $22.

PLEASE purchase your ticket for this event....it is very much so a GREAT networking opportunity especially since, like Jay Electronica, I'm from the good state of Louisiana.

Even if you cannot go, a $22 donation would be soooooooo helpful and it can all be done by purchasing your ticket on the store.


the STORE can be found by clicking HERE


LET'S DO THIS

Monday, August 16, 2010

8.14.2010 performance x New video Still Image!!!

Sup.
Here is some new stuff real quick... I'm in a rush but I'll be back on the blog to post some other information the next chance that I get!  It's hard out here!!




annnnd



no, this isn't HeartBreak Double.  This is a different song off disc 2 of ERV5.

I know Jayn is having trouble importing v5 into Zune marketplace...is anyone else having a problem with the mixtape.  I know that I can't afford bandwidth like I once was able to do so, so the download time will take alot longer but other than that.......any other problems? any resolutions?

I honestly have to do alotta stuff right now but please help Jayn! lol
wussup!


****FIXED****
^_^

Sunday, July 25, 2010

SF x Tekken gameplay

Mitchy Slick - Wont Stop Being A Blood

Lyrical Comprehension

The other night, the homie Randall hooked me up with dinner at In N Out. I will never forget this especially since I am definitely in a horrrrrible financial situation. Over here dying of hunger n ish. This post isn't about that though. One question that he asked me when we were eating was which one of my songs is the most vicious. He didn't use those exact words but something along the lines of trying to pinpoint a song from my own opinion concerning great lyricism.

I came up with a few but primarily:
GAS
DEMOLITION DOUBLE.

We had a conversation about these and I realized that the way in which I created all of these songs, those similar to these, and parts of the 5 minute tracks is by entering a certain mind state. Sure this may sound dumb or whatever but seriously...to come up with some of this stuff, I essentially go into another zone that takes place internally. Not through drugs..not through writing anything on paper...just pure electricity.

I know that if ever I was sponsored by a well known artist or label or even if I were to straight up become more recognized in the hip hop game, I would make more efforts and actually schedule time to enter this zone, thus allowing for this style of rap. It takes energy.

The conversation led to identifying different things that were great in the lyrics.
Not sure if I ever mentioned examples of lines but some of these continue to be some of my favorite self-made lyrics. Peep a line from each song. The question I have for you, is, what do these lyrics mean to you when you hear them?

Sure, most artist avoid explaining their works of art, sue me.
I truly believe that some artist may paint a crazy picture randomly, accidentally create a sculpture out of some new clay, say a bunch of confusing polysyllabic words that 'sound' cool.....I kind of forgot how I was going to end this sentence but something along the lines of people do easy stuff or stuff on accident and it's only when the critic applauds such a thing that the person doing the stuff gains a new mental value of their stuff that they know they created either randomly, accidentally, or with very primitive talents executed in extra average amateur execution mode and then suddenly all of their future work and even stuff done in the past is looked upon as pure excellence and true professionalism.

This may not even make any sense because I'm finding it pretty difficult to express this idea that I have that could be applied to most, not all, of these critically acclaimed artists whether their fine art field is in painting, music, whatever.






enough of that. basically, here are a few lines taken from, in my opinion, pinnacle points of lyricism in each work of art. Not necessarily the highest of the high point in each song but, rather, a relatively high point assuming that higher elevation requires more energy and wit to compose even though such things are difficult, if not impossible, to measure.

I would like to hear your opinion of the significance of each line.

The fact that I would want to hear your opinion on something that I created could understandably come across as being on the verge of narcissism if you were to ignore the fact that asking your opinion on someone else's lyrics and wanting to engage in a discussion about them would only allow for limited closure, meaning that because no one ever really knows the intent of any given author other than the actual author, all answers could pretty much be assumed correct. We'd go in circles for hours. Some of us may feel like we are wasting time. Almost like english class. Dudes have been deceased for years and yet we are assigned to argue our points of view concerning their essays. I'm not knocking it. What if the author was there to be like - no, you're wrong. Ohhhh nice idea, nope.
That'd be keeping it more REAL. imo.

ok, here are some lines. I am very much aware of the difficulty of trying to explain just the lines mentioned without making since of them with lines said either before or after them.


(from Demolition Double:)

" it makes me feel Blue like Meanie, that's why i go in like Owen on the verse, I'm Birch "


(several bars before and including the following lines in GAS:)

"this should remind you of Chris since it's cold when you play it.
I don't dumb down like Cole cause my goals to make you think till you link me to you favorites."





@_@

Saturday, July 24, 2010

Friday, July 23, 2010

tracklist for disc 1

the fifth one
holographic double
2 many questions
silver
working
manajerk
lcd
a song for my dog
5 minutes 5
dark wing double